‘… she knew she was going to die anyway, and then she decided that day would be the day. I think it was the loneliest thing I’ve ever seen. She walked past me and laid on the bed and she nodded yes to the Doctor. I can’t find words for what it felt like to be there.’ A film about the last hour of a life.
Might the causes of poverty lie deeper than just physical need. And might the way out lie with our ability to see ourselves together, as the same.’ An extraordinary and humbling experience. A film about the often missed nature of poverty.
‘It is like a miracle. I’ve got a son back that I thought I’d lost. We’re probably closer now than we’ve ever been but it did start in a difficult place.’ A film of hope and light from a seemingly dark and endless place.
He’s somewhere between thirty and forty. Perhaps fifty. Maybe sixty. He wants to play. Without prescription. He wants to stamp. And to stomp. And to run. And to leap from chair to chair.
In the complex landscape of Schizophrenia, I imagine Compassionate Care should not be absent. Care that is unconditional. Care that is full of hope and of possibility.
In this time of visceral chaos what if this were the last time I were to see you. Might the possibility of words left unsaid haunt the rest of my days …
The Hospice Community at Joseph’s House in Washington DC hold the belief that no one should live, or die alone. Welcome to ‘On the Edge of Life and Death’. It’s the film title, because it is just that.
The fascinating thing about riddles is that you can stare at them intently and completely miss their point. And often, a riddle will fool you into the illusion of an understanding. This is a short film about the nature and whereabouts of joy.
Might the eyes really be a window to the soul? And if so, what then? Filmed in unusual fashion for the early days of Soul Biographies. But now I have come to understand the importance of patience, stillness and unflinching human contact. The film asks if you are able to see beyond your assumptions.
This is unusual. Filmed Fall of 2019. This 30 minutes of footage is pretty much uncut. Insights, admissions and all. It is deeply reflective and revealing of where this work is now to be pointed, and the contrarian nature of life and purpose finding you rather than you heading off to find it.