This is unusual. Filmed Fall of 2019. This 30 minutes of footage is pretty much uncut. Insights, admissions and all. It is deeply reflective and revealing of where this work is now to be pointed, and the contrarian nature of life and purpose finding you rather than you heading off to find it.
Each of us stand seemingly alone, as we cry out for evidence that we belong. And as we cry out silently through the actions of our every day, we step further from our own sight. Further from the experience of our one same heartbeat. But in the flicker of a single moment …
Let me introduce you to the moon. She sits up there in skies afar, gazing down upon you where you sleep. Wondering why you live just half a life. And crying silently ‘what if’.
If I am to be entirely honest you would be a fool not to give this you full and undivided attention for its full and undivided duration. I imagine the experience will contribute in ways you might not be able to place words against. It is a profound wondering about the experience of life, death and cancer.
‘Is it true?‘ exists as one of the most profound questions. A question you would do well to ask yourself often. Pay full attention to this few minutes with the enigmatic and mysterious Byron Katie.
I don’t know. But I know that I don’t know. I love that I don’t know. That I can never know for sure. So I have stopped looking to understand you. Or convince you …
This film concerns the terrifying experience of being seen. And there is no modern day pacing to carry you through this film. No drama to help frayed attention. Such is the quiet and subtle experience of the profound.
There is a Grand Human Predicament. It is that we seek to become enough, yet we never seem to be. There’s a sense that we will never be quite enough in this relentless pursuit of belonging. This is an antithetical counter view. A simpler way. This is an outline in just eight images.
‘We are a Work in Progress.’ And so lives the perilous myth on which our human existence appears to have built itself. We are not yet enough. There is someone we must become. This life has conditions. This piece is central to the way of all of this. And contrarian, if not dangerous.
This footage is revealing of what is under all Soul Biographies Inner View. Most probably a must for all drawn to the nature of these films. There is a field. This field is the very atmosphere in which I film. It elicits something different in nature. In Dallas, I sat in this field. This time, in front of the camera. And this is what happened.