In a dream more real than his daytime, a grown man meets himself. Himself at just ten. With the light in his eyes. And the world in his heart. He sets out to explain to his young self why he’s taken the road to someone else’s somewhere. But he can’t. And in the deafening silence …
What you will see here, in this astonishing 89 seconds, is a normally reserved man speak from his very depths with no filter to the world. As his wife of many years sat just 12 feet away. Filmed in front of a ‘Soul Biographies Live’ Audience.
‘We are a Work in Progress.’ And so lives the perilous myth on which our human existence appears to have built itself. We are not yet enough. There is someone we must become. This life has conditions. This piece is central to the way of all of this. And contrarian, if not dangerous.
This footage is revealing of what is under all Soul Biographies Inner View. Most probably a must for all drawn to the nature of these films. There is a field. This field is the very atmosphere in which I film. It elicits something different in nature. In Dallas, I sat in this field. This time, in front of the camera. And this is what happened.
Warning. This is haunting. You might be haunted. Jayanie and I have a knowing. Between us. Beyond words. Beyond time. This we know. Though we had never met. Might there be nowhere to get to? Might you call off the search?
“You belong. There was never any condition to that. Ever. You never didn’t belong. Despite what it might seem. And without the need to belong, your need to be right falls away.” An artful introduction one of the key principles to this Inner View work.
Shooting people – with a camera that is – in a foreign language that you don’t understand encourages an ability to listen beyond the words. This film might just be the epitome of joy.